Thursday, March 24, 2005

Hardy

The Darkling Thrush

I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres, And all mankind that haunted nigh
Had sought their household fires.

The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.

At once a voice arose among
The bleak twigs overheadIn a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.

So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.

- Thomas Hardy

"Poetry is the best words in the best order." - Coleridge

To my knowledge Thomas Hardy is infamous for creating dark, ominous imagery in his poetry. For anyone keen on the concept of "approaches to style" this poem is an example of very select word choice at a very select time.

This particular poem consists of select words which are placed at appropriate points in the work and carry very significant connotations and it is evident that Hardy's has been able to "kill two birds with one stone".

What do I mean?

He delivers a message. It is up to his audience to intake that message and create a meaning. I would assume Hardy had a distinct idea of what he wanted to impress on his audience, therefore he chose words which "gave one idea and alluded to another".

Take for example the title of the poem The Darkling Thrush. The word "Thrush" means "little bird" and his using this description allows both the bird and the bird's environment to be illuminated. If you read further, you find that the orientation of the poem is highlighted with the nouns "coppice", "frost", "winter", "bine-stems", and so on. Hardy has described a natural environment; a wooded area during the wintertime. His word choice allows him to "say alot in a little space" (which is something I'm sure many of us aspire to do).

Word selection is important. Looking at Hardy's poem this is evermore evident. He chooses words which sound similar, look similar, rhyme and reason and are aesthetically pleasing (tangled, strings, broken, twigs, sharp). Combining these words in the poem create a "feeling" and carry a message through the work. All of those word descriptions are somewhat harsh, violent, aggressive - this adds to the darkness and "death-like" feel to the poem.

He uses the word "fervourless" to describe and contrast two things in one feeling:


And every spirit upon earth
Seemed fervourless as I
This selection occurs in the first stanza. The mood is dim, there is a feeling of vacancy and weariness. By using the word "fervourless" Hardy is implying that the narrator is alive, awakened, and deep in-thought. This word contrasts with the description of his environment. He is tired from the winter, the earth is weary and worn, there is a feeling of desolate darkness and death. Although this word identifies what seems to be an opposite feeling to the narrators experience, it validates his intense feelings while acting as a vehicle which moves the poem forward into further exploring this newfound awareness.
"The weakening eye of the day" represents the sun-setting and the day coming to a close. This occurs in the first stanza which is a clever way to further add feeling to the poem. "The Darkling Thrush" really means "The bird in the night" (or something like that), and the bird is only introduced near the end of the poem which means as each stanza moves forward, the sun continues to set until the bird emerges once darkness falls.
The tangled bine-stems scored the sky
Like strings of broken lyres
Here, Hardy illuminates the mood by comparing the environment and the narrator. The narrator feels broken as does the land which is desolate and bare. This is shown by the representation of a "lyre" which is worn-out and run-down, whose strings are broken. This creates the image of being tangled, unwoven, deshevled, and so on. It is further complimentry to the poem because the "lyre" would be played by a human, and the strings which are broken is comparable to the narrator who feels broken himself.
(I am in awe of the complexities of word choice. It is an art, a science, and a creation- but really only as good as its placement) ... *thinking...
Continuing with Hardy...
To identify the cold, unwelcoming and unfriendly environment Hardy describes this bleakness with literary metaphor.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The "land's sharp features" are in reference to human features as he carries this idea forward with the word "corpse". Pathetic Fallacy is seen here as he unifies man and nature (similar to stanza one with "broken lyre"). "His crypt the cloudy canopy" might refer to (the human conscious?) acting as a reference to the human brain. The cloudy canopy could also refer to confusion or intense thoughts- this character's mind might be "lost in a fog" so-to-speak. This carries forward the theme of the relationship between man and nature as the canopy also reflects the clouds and the sky.
Irritation and frustration is immediately evident when the bird emerges, singing in the night. The narrator is not impressed. The word "beruffled" highlights his annoyance with the little bird. The bird is ignorant to the "shrunkenness" and "desolateness" below and continues to sing. This is a point where the stream of consciousness which is evident throughout the poem becomes evermore clear.
The play between external and internal evaluations is constant but more evident at this point in the poetry. As the little bird sings, the internal dialogue of the narrator processes this in accordance with his own personal thoughts and feelings. He is interpreting the bird. This creates a level of irony (because it's a bird) and because the bird is fully ignorant to the intensity below and the desruption his presence is causing- however, the narrator takes the birds' presence as a sign; a type of "escapisim" or "enlightenment" from his gloom and suffering.
This part of the poem carries a message. The audience can interpret the hostile, dark, desolate feel as "depression" because of such factors as: weariness, age, the time of season, and determine that the mood is quite intense because the narrator is feeling intense. The bird's presence highlights for the narrator, a brief irritance as well as an escape from his internal struggle.
Reading this part of the poem creates an awareness for the audience ( for me, personally) because I see someone struggling with his internal emotions, and the contrast which is set by the bird, fully ignorant to this...but I interpret this message to be "things are not always as bad as they seem" - the bird is a sign of winter coming to an end and of springtime on it's way, the bird is a sign (that ignorance is bliss?) and that life if forward-moving and each of us will have to continuously adapt to change.

2 comments:

crystal said...
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crystal said...

Greig, you might be right.

Let me think...

"Fervourless"

I think I neglected to clarify the "less" aspect.

In a roundabout way (I think I went overboard with the description) I was attempting to identify a unity or comparision between the characters mood and his immediate environment. He is weary (so he is "less" energy, warmth, and so on.)

He may be implying that he is without feeling, but I read it as he is full of feeling. He is negate of (warm, lovely) feelings that has infact inspired, feeling.

He may not be doing cart-wheels, but he is definately contemplative and experiencing some turmoil. AKA "in deep thought".

As for the Thrush? I still think the guy's annoyed. Who wouldn't be? If you're irritable, cold, weary, and depressed- the sound of sweet song (rather, a birds chirp) might throw you a "off" a bit.

"In blast-beruffled plume"

That's quite a way to introduce a little bird flying overhead. "Blast" and "beruffled" are pretty harsh descriptions...

"Beruffled" in particular makes me think the guy is irritated and/or momentarily annoyed.

But what this bird does, is more important. He brings the guy out of his "deep thought", and inspires a new level of consciousness.

There's a way, away, from the funk afterall.